Truphonic Recording
Phone
Website
Notes
Studio Booking: Elliott Elsey
Phone: 843.619.7700
Email: Elliott@Truphonic.com
816B St. Andrews Blvd., Charleston, SC 29407
Engineer(s)
Production Head(s)
# of Studio Locations
Rooms
About This Studio
Truphonic Studio was designed to meet the needs of any professional recording artist starting with it’s beautiful, large and comfortable Wes Lachot designed & tuned control room. With it’s large format Icon D Control, Dangerous analog summing, Dynaudio M3a’s and world class pre’s from Neve, API, SSL , digital flexibility meets sonic fidelity on a level few studios can match. Our individual Hear Back headphones system gives each artist complete control over their personal mix, improving accuracy and musical performance.
The large live room and 3 vocal booths are almost 1000 square feet so studio A can flexibly handle even larger music groups or ensembles. Every room in the facility is completely connected with XLR, line and Cat 6 creating soundscaping and isolation producers and engineers dream about.
Tracking Room A: 26 x 22
Vocal Booth 1: 12 x 9
Vocal Booth 2: 11 x 7
Sound lock: 1: 8 x 6
Sound lock 2: 22 x 3’4”
Services
AUTOMATED DIALOGUE REPLACEMENT & Voice Over SERVICES
Truphonic Recording Charleston’s full service ADR facility for TV and Film. We’ve worked with some of America’s best know actors and studio voice professionals. Our clients include DreamWorks SKG ,CBS, ABC, TNT and Honda Motor Company. With the latest Source Connect Prointerface we work with TV, Motion Picture and recording professionals around the world from our studios here in Charleston, SC.
In addition to our full complement of studio pre amps, ADR gear includes:
– SENNHEISER MKH-50 Microphone
– SENNHEISER MKH-416 Microphone
– SANKEN COS-11 Lavalier Microphone
– 50″ PANASONIC STUDIO MONITOR
– BEYERDYNAMIC DT770 Pro Headphones
– HEARBACK STUDIO HEADPHONE CONTROLLER
Gallery
Features
Mics Include
1 – NEUMANN M49 V – 2022 Reissue Serial #237
1 – NEUMANN/TELEFUNKEN U67 – Vintage 1961 –“Nashville”
1 – BILL BRADLEY MS47 – Custom U47 Serial #45
1 – BILL BRADLEY MS12 – Custom C-12 Serial #14
1 – UPTON 251- ElaM 251
1 – NEUMANN U87 – Vintage 1971 – “Big George”
2 – NEUMANN U87 AI
2 – NEUMANN TLM103
1 – NEUMANN M147
2 – NEUMANN KM 184
1 – BOCK iFet 47 Serial #008
1 – ROYER R-122 Ribbon
2 – COLES 4038 Stereo Matched
1 – AEA KU4 Cardioid Ribbon Serial #10233
1 – AEA R88 Stereo Ribbon
1 – JZ Black Hole BH1s
2 – JZ Vintage 11
2 – AUDIO TECHNICA 4033 SE
2 – AUDIO TECHNICA ATM450
2 – AKG C 414B TLII
2 – AKG C 451E Vintage w/ PSU1 – AKG D 112
2 – AKG C 1000S Modded by Mark Fouxman
1 – MOJAVE AUDIO MA-200
1 – SANKEN COS-11 Lavalier Microphone
2 – SENNHEISER MD 421 II
1 – SENNHEISER MKH-416
1 – SENNHEISER MKH-50
1 – SHURE SM58
5 – SHURE SM57
2 – SHURE SM7B
1 – SONY C-48 (Vintage 1980)
2 – RODE NT-2000
2 – RODE NT-1A Oktavamod by Michael Joly
1 – RODE NTK – Telefunken E88CC Tube
2 – ELECTRO VOICE RE1000
1 – ELECTRO VOICE ND68
1 – BEYERDYNAMIC M201
1 – AUDIX i5
1 – AUDIX D6
1 – AUDIX D1
2 – AUDIX D2
2 – AUDIX D4
Other Equipment
STUDIO A
DIGIDESIGN ICON D CONTROL, 32 faders
32 channels of Dangerous Audio 2Bus Analog Summing & Dangerous Music Monitor ST w/ Remote Management
MONITORS
STUDIO A
Main – DYNAUDIO M3A powered by 2 Bryston 4B SST-2 Pro Amplifiers & Bryston Crossover
Mini – GENELEC 8020A near field monitors
5.1 – Blue Sky System One
Studio Loud Speakers – DYNAUDIO BM5A near field monitors
MICROPHONE PREAMPLIFIERS
2 – NEVE 1073 Class A Mic Pre
2 – BAE 1073MP Mic Pres
2 – RUPERT NEVE 5012 Pres
8 – API 3124+ Mic Pres
4 – SSL Alpha VHD Mic Pres
4 – FOCUSRITE Red 1
1 – AVALON 737 SP Tube Mic Pre
1 – UNIVERSAL AUDIO LA610 Tube Mic Pre
8 – DIGIDESIGN PRE Mic Pres
2 – PRESONUS MP-20 Mic Pres
2 – AVALON VT-737 SP TUBE Mic Pre
2 – UNIVERSAL AUDIO LA-610 TUBE Mic Pre
EQUALIZERS
2 – NEVE 1073 Semi Parametric EQ with Filters
2 – A DESIGNS EM-EQ2 (Pultec) Program Equalizers
2 – FOCUSRITE Red 2 Parametric Equalizers with Filters
2 – AVALON VT-737 SP Parametric EQ
1 – UNIVERSAL AUDIO LA610 2 Band EQ/Filters
CUE SYSTEM
STUDIO A
HEAR TECHNOLOGIES Hearback System w/ 8 Inputs and 5 Headphone Stations
HEADPHONES
8 pairs of BEYER DYNAMIC 770, 880, SENNHEISER HD280, and AKG
1 – DBX 500 Sub Harmonix
ANALOG
1 – ANALOG OUTFITTERS Custom Scanner Reverb
DIGITAL AUDIO WORKSTATION
COMPUTER
2 – APPLE MAC PRO 2.66Ghz Quad Core Nehalem Processor (PCIe) Glyph Raid 1.3 TB Hard Drive System
DAW
AVID DIGIDESIGN PRO TOOLS HD3 10
1 – AVID DIGIDESIGN HD TDM Core Card
2 – AVID DIGIDESIGN HD TDM Accel Cards
1 – AVID DIGIDESIGN HD Native Card (Studio B)
INTERFACES (64 I/O IN STUDIO A AND 18 I/O STUDIO B)4 – DIGIDESIGN HD IO Digital Interfaces 32×32 Analog w/ 32×32 Digital Expansion Chassis
1 – APOGEE Ensemble Digital Interface 18X18 with Avid Digidesign 002 (Studio B)
CONTROL/MIDI
1 – AVID DIGIDESIGN ICON D Control 32 Faders (Studio A)
1 – AVID DIGIDESIGN 002 8 Faders (Studio B)
1 – DIGIDESIGN Midi I/O
VIDEO SYNC
1 – DIGIDESIGN Sync I/O
1 – APOGEE Big Ben w/ Video Sync Card
VIDEO MONITOR
INSIGNIA HD 55” Display
APPLE HD 24” Display
LOUNGE A/V
LG HDTV 47”
MICROSOFT XBOX 360
APPLE TV with over 100 gigs of purchased content
POLK AUDIO 2.1 System w/ Subwoofer
COMPRESSORS
1 – TUBE TECH CL 1B
2 – API 2500 Bus Compressor
2 – EMPERICAL LABS Distressor EL-8 With British Mode
1 – SUMMIT AUDIO TLA100 Leveling Amplifier
2 – UNIVERSAL AUDIO 1176 LN
2 – RUPERT NEVE 5043
2 – PENDULUM AUDIO OCL-2 Vacum Tube Compressor/Limiter
1 – UNIVERSAL AUDIO LA610 T4 Optical Compressor
2 – DBX 160A
1 – RETRO INSTRUMENTS 176 Tube Limiting Amplifier
1 – UNIVERSAL AUDIO 2-1176 Compressor
1 – UNIVERSAL AUDIO 1176 Compressor
2 – UNIVERSAL AUDIO LA-610 Tube Mic Pre
1 – JDK AUDIO R22 Dual Channel Compressor
2 – AVALON VT-737 Opto-compressor
MASTERING
1 – TC ELECTRONICS Finalizer
2 – ALESIS Masterlink Master Recorder
VINTAGE ECHO MACHINES
2 – FULLTONE Tube Tape Echo Machines